![]() Presented with a reference track, users are trained in matching inter-instrument levels/gain, lead instrument volume automation, instrument spatial positioning/panning, reverberation level, and compression settings on a lead element within a full mix. We have developed and implemented a set of matching exercises in Pro Tools that fill this need. There are currently many automated software solutions to tackle the issue of timbral/EQ training for audio engineers but only limited offerings for developing other skills needed in the production process. We also discuss possible future directions for exercises. The goal of these exercises is to refine the listener’s degree of perception along these production parameters and to train the listener to associate these perceived variations to objective parameters they can control. JO - Journal of the Audio Engineering SocietyĪB - There are currently many automated software solutions to tackle the issue of timbral/EQ training for audio engineers but only limited offerings for developing other skills needed in the production process. ![]() ![]() TI - Advanced Technical Ear Training: Development of an Innovative Set of Exercises for Audio Engineers We also discuss possible future directions for denis and massenburg, george}, doi:Ībstract: There are currently many automated software solutions to tackle the issue of timbral/EQ training for audio engineers but only limited offerings for developing other skills needed in the production process. Massenburg, "Advanced Technical Ear Training: Development of an Innovative Set of Exercises for Audio Engineers," Engineering Brief 217, (2015 October.).
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